PHANTOM OF THE OPERA - This is a series of posts on the
ongoing theme of my favorite musical, Phantom of the Opera. The material remains
the same: with music by Andrew Lloyd Webber, lyrics by Charles Hart, all based
on LeFantome de L’opera by Gaston Leroux circa 1909. This is the story of
Christine--reunited with her long-lost love Raul, thrust into a leading role--at
the hand of her saboteur and vocal coach. It’s not the first time
I’ve seen the musical at the Orpheum Theater in San Francisco. What’s
different, you might ask? It really comes down to advancement in set design
and technological innovation. Thanks to producer Cameron Mackintosh with
well-known hits such as Miss Saigon, Les Miserables and Cats. He has made the
Paris Opera House and its subterranean labyrinth the star of this production (when it really should have been the Phantom or at least Christine). I don’t feel
this Phantom was as strong as the previous version. There was a production
glitch, which caused the house lights to come up with a 5 minute pause, between the
theme and Music of the Night. The stall derailed the momentum. Still worth seeing?
Yes! It is Phantom, after all.
I write dark speculative fiction. #weirdfiction #darkfantasy #horrorfiction #scifi #postapocalypticfiction
Showing posts with label MUSICALS. Show all posts
Showing posts with label MUSICALS. Show all posts
Sunday, September 20, 2015
LOVE NEVER DIES
LOVE NEVER DIES - Recently,
I watched a City Center movie theater presentation of Andrew Lloyd Webber's
musical, titled Love Never Dies. Webber's new work is a follow up to an
all-time classic and personal favorite; a sequel to ‘The Phantom of the Opera’.
The pros of seeing the film version: larger-than-life, movie screen sized
performers singing music that's been recorded live. While it's obviously not
shot in one take, it's clear that this performance is not a lip-sync. The cons
are; ‘Love’ will never match the elegant brilliance of ‘Phantom’, along with
the film's static nature that isn't as exciting as live theater. While I don't think
‘Love’ is still in theaters, it will be released on DVD in May, according to
the Playbill website. On a related topic, the 25th anniversary performance of ‘Phantom’
continues on PBS this week, as well as being currently available on DVD. My
love affair and deep admiration for Phantom began in orchestra section seats at
the Orpheum in San Francisco. The phantom's anguish over an opera singer, amidst the
subterranean opera house catacombs, is beautifully conveyed in
concise lyrics and soaring musical arrangements.
Monday, June 9, 2014
VAUDVELLIANS
VAUDVELLIANS - This is a review of “The
Vaudevillians” featuring Jinkx Monsoon previous winner of RuPaul’s Drag Race on
Logo. By the time you read this review, “The Vaudevillians” will be long
gone, from San Francisco. However, based on what I’ve seen, you’ll still
continue to be able to catch the show, from coast to coast. I have to say my
expectations were surpassed in every way imaginable. To call this show cabaret
is a gross injustice. While it does feature live music, it’s so much more than
that. The premise centers around a pair of resurrected vaudeville performers (Jinkx
Monsoon and Major Scales) who were frozen for a century and have now been defrosted.
The husband/ wife team claim to be the original writers of much of today’s pop/
rap music. WTH? I know, right? It sounds convoluted. But, the beauty of the
show--besides formidable talents as a songstress and playwright--is Monsoon’s comedic
timing. There was a portion of the show where she wandered into the crowd and
started messing around with the audience. This may sound blasphemous, but I was
reminded of the comedic talents, of the late great Lucille Ball. Yes, she was
that good. As a side note--it showed at the Verdi Club, a very cute little theater
which I hadn’t even known existed--after two decades in the city. I hope to see
shows there more often because I really enjoyed myself. To sum it all up, do
yourself a favor, go check out “The Vaudevillians”!
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