Thriller Fiction - Thrillers heighten suspense, sustain tension, cause curiosity,
place obstacles before protagonists, employ literary devices such as plot
twists/ cliffhangers/ reversals, and always lead to a climax. Early proto-thrillers began with adventure fiction in pulp
magazines, and the genre solidified with the introduction of spies. The Riddle
of the Sands, below, created the term “Spy Novel”. Detectives are also suitable
protagonists in thrillers. Generally speaking, the strong man (hero) wins “the girl” and
the villain is vanquished. A successful thriller causes apprehension, conceals
important information, builds momentum, and reveals carefully constructed
information. Manipulating revealment/ concealment/ sequence of important points
is crucial. While not directly considered to be speculative fiction (supernatural, fantasy, superhero, science fiction, horror,
etc.), thrillers often contain elements of horror, crime, pulp and
hardboiled fiction. Many classic slasher horror books could be considered
thrillers, as long as they are undiluted by a supernatural element, and take
place in a conventional world. There are numerous types of thrillers: legal, spy, medical,
romantic, historical, political, religious, high-tech, military, scifi, etc.
What’s most important is execution, regardless of type. For
this reason, few if any thrillers deviate from three-act structure and are
never experimental in form. The only distinction between thriller and suspense
is the intensity, whereas drama is more nuanced, open to multiple
interpretations. A good thriller delivers strong execution: an enticing hook
hurtling toward the end, intense plot points, raising stakes, plenty of
tension, and a satisfying climactic ending, which ties the whole thing
together. A boring thriller is an oxymoron.
The Count of Monte Cristo by Alexandre Dumas (1846)
Betrayed by his friends, an imprisoned man escapes, he
seeks to enact revenge on his captors by assuming a new identity as a count.
Heart of Darkness by Joseph Conrad (1899)
An adventurer travels to the heart of Africa up the Congo
River. Atrocity and inhumanity are exposed, which makes one wonder what it
means to be civilized.
The Riddle of the Sands by Erskine Childers
(1903)
An officer navigates sand banks via small boat, to investigate
a secret project on an island.
The Thirty-Nine Steps by John Buchan (1915)
When an expatriate allows an
American to hide in his flat, he returns home to find him dead, struck through
the heart with a knife.
The Black Angel by Cornell Woolrich (1943)
After her husband’s mistress is murdered, his wife tracks
down the suspects, systematically destroying them.
Sudden Fear by Edna
Sherry (1948)
A playwright fires an actor as she workshops her play prior to opening night. She becomes embroiled in a tangled web of a murder plot, a double cross, jealous rivals, a frame job and a counter attack. With her husband, a bourgeois girl she saves from drowning, her secretary and her financial advisor.
A playwright fires an actor as she workshops her play prior to opening night. She becomes embroiled in a tangled web of a murder plot, a double cross, jealous rivals, a frame job and a counter attack. With her husband, a bourgeois girl she saves from drowning, her secretary and her financial advisor.
The Nine Wrong Answers by John Dickson Carr (1952)
The nine wrong answers are a series of near-fatal traps
navigated by an imposter. He confronts the villain with the correct, and tenth
final answer in the climax.
Casino Royale by Ian Fleming (1953)
James Bond,
secret agent 007, targets a communist paymaster, LeChiffre, under the Soviet
murder organization named SMERSH.
The Bourne Identity by Robert Ludlum (1980)
Plagued with amnesia, Jason Bourne must uncover his
remarkable abilities, and his true identity. All while being chased by an
assassin who wants him dead.
The Silence of the Lambs by Thomas Harris (1988)
Buffalo Bill kidnaps, starves, skins and sews his victim’s
skin into suits, then dumps their remains in nearby rivers. Clarice Starling
questions Dr. Hannibal Lecter as she tries to locate him.
Phantoms by Dean Koontz (1983)
Heavily influenced by Lovecraft, two sisters return home to
find everyone mutilated or missing. Their town was built over the den of
amoeboid shapeshifter that mimics and consumes life forms.
Fight Club by Chuck Palahniuk (1996)
When a man complains of insomnia, his doctor advises him to
attend a support group to experience real suffering, like Fight Club.
The Da Vinci Code by Dan Brown (2003)
When a symbologist investigates a murder in the Louvre, the
victim is discovered with an inscription beside his body. This involves him in
a battle between two secret monastic orders.
The Girl with the Dragon Tattoo by Stieg
Larsson (2005)
In this vast
locked room murder mystery, alternate story lines
are merged later on, that follows a sprawling cast of characters. Wherein a journalist pairs with a private investigator to uncover
the truth of a young girl’s disappearance.
Red Sparrow by Jason Matthews (2013)
At the Sparrow School, a former ballerina is forced to
undergo espionage training, to seduce targets of the Russian government.
Comes the Dark by Michael
Prescott (2013)
Time is running
out for two siblings, orphaned by a double murder decades earlier. When a local
girl's remains are discovered at the river, the sister retraces memories from
her youth, and suspects her brother of murder.
